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Berthe Morisot Haying at Mezy - 1891  oil painting reproduction
Berthe Morisot Haying at Mezy - 1891 oil painting reproduction

Berthe Morisot Haymakers at Bougival - 1883  oil painting reproduction
Berthe Morisot Haymakers at Bougival - 1883 oil painting reproduction

Berthe Morisot Haystack - 1883  oil painting reproduction
Berthe Morisot Haystack - 1883 oil painting reproduction

Berthe Morisot In the Garden - 1885 oil painting reproduction
Berthe Morisot In the Garden - 1885 oil painting reproduction

Berthe Morisot In the Wheat Fields at Gennevilliers - 1875  oil painting reproduction
Berthe Morisot In the Wheat Fields at Gennevilliers - 1875 oil painting reproduction

Berthe Morisot Interior - 1872  oil painting reproduction
Berthe Morisot Interior - 1872 oil painting reproduction

Berthe Morisot Jeannie Gobillard - 1894  oil painting reproduction
Berthe Morisot Jeannie Gobillard - 1894 oil painting reproduction

Berthe Morisot Jeannie's Head - 1888  oil painting reproduction
Berthe Morisot Jeannie's Head - 1888 oil painting reproduction

Berthe Morisot Julie Daydreaming - 1894  oil painting reproduction
Berthe Morisot Julie Daydreaming - 1894 oil painting reproduction

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Berthe Morisot

(1840-1895)

American Impressionist portrait artist Berthe Morisot was born into a wealthy family and when she was growing up her parents encouraged her to take art lessons but didn’t want Morisot to be a professional artist. In 1864, she exhibited in the prestigious Salon de Paris, the annual exhibition of the Académie des Beaux-Arts in Paris. In 1877, Manet invited Morisot to exhibit in the first Salon des Refusés so she was part of the first exhibition where the group called themselves 'impressionists'. She participated in all of the Impressionist exhibitions except for the one in 1879 because of illness. Berthe Morisot’s paintings were often of people at home or outdoors. She was known for painting in loose, quick brush strokes. You can really see all the brushstrokes in her paintings as she didn’t make the surface smooth or flat. However, in the last years of her the rapid brushstrokes which had defined her practice for years became clearer, and her images came back into focus.
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