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Berthe Morisot Julie Listening - 1888  oil painting reproduction
Berthe Morisot Julie Listening - 1888 oil painting reproduction

Berthe Morisot Julie Manet and Her Greyhound, Laertes - 1893  oil painting reproduction
Berthe Morisot Julie Manet and Her Greyhound, Laertes - 1893 oil painting reproduction

Berthe Morisot Julie Manet with a Budgie - 1890  oil painting reproduction
Berthe Morisot Julie Manet with a Budgie - 1890 oil painting reproduction

Berthe Morisot Julie Playing a Violin - 1893 oil painting reproduction
Berthe Morisot Julie Playing a Violin - 1893 oil painting reproduction

Berthe Morisot Julie with Her Nurse - 1880 -  oil painting reproduction
Berthe Morisot Julie with Her Nurse - 1880 - oil painting reproduction

Berthe Morisot Julie with Pasie in the Garden at Bougival - 1881 oil painting reproduction
Berthe Morisot Julie with Pasie in the Garden at Bougival - 1881 oil painting reproduction

Berthe Morisot Landscape at Gennevilliers - 1875 oil painting reproduction
Berthe Morisot Landscape at Gennevilliers - 1875 oil painting reproduction

Berthe Morisot Landscape near Valenciennes - 1875 oil painting reproduction
Berthe Morisot Landscape near Valenciennes - 1875 oil painting reproduction

Berthe Morisot Landscape of La Creuse - 1882  oil painting reproduction
Berthe Morisot Landscape of La Creuse - 1882 oil painting reproduction

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Berthe Morisot

(1840-1895)

American Impressionist portrait artist Berthe Morisot was born into a wealthy family and when she was growing up her parents encouraged her to take art lessons but didn’t want Morisot to be a professional artist. In 1864, she exhibited in the prestigious Salon de Paris, the annual exhibition of the Académie des Beaux-Arts in Paris. In 1877, Manet invited Morisot to exhibit in the first Salon des Refusés so she was part of the first exhibition where the group called themselves 'impressionists'. She participated in all of the Impressionist exhibitions except for the one in 1879 because of illness. Berthe Morisot’s paintings were often of people at home or outdoors. She was known for painting in loose, quick brush strokes. You can really see all the brushstrokes in her paintings as she didn’t make the surface smooth or flat. However, in the last years of her the rapid brushstrokes which had defined her practice for years became clearer, and her images came back into focus.
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