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Berthe Morisot Venus at the Forge of Vulcan (after Boucher) - 1883  oil painting reproduction
Berthe Morisot Venus at the Forge of Vulcan (after Boucher) - 1883 oil painting reproduction

Berthe Morisot View of Paris from the Trocadero Heights - 1872  oil painting reproduction
Berthe Morisot View of Paris from the Trocadero Heights - 1872 oil painting reproduction

Berthe Morisot View of Tivoli (after Corot) - 1863  oil painting reproduction
Berthe Morisot View of Tivoli (after Corot) - 1863 oil painting reproduction

Berthe Morisot Villa with Orange Trees, Nice - 1882  oil painting reproduction
Berthe Morisot Villa with Orange Trees, Nice - 1882 oil painting reproduction

Berthe Morisot Willows in the Garden at Bougival - 1884  oil painting reproduction
Berthe Morisot Willows in the Garden at Bougival - 1884 oil painting reproduction

Berthe Morisot Winter - 1880  oil painting reproduction
Berthe Morisot Winter - 1880 oil painting reproduction

Berthe Morisot Woman and Child in a Garden - 1884  oil painting reproduction
Berthe Morisot Woman and Child in a Garden - 1884 oil painting reproduction

Berthe Morisot Woman Getting Dressed - 1880  oil painting reproduction
Berthe Morisot Woman Getting Dressed - 1880 oil painting reproduction

Berthe Morisot Woman Hanging out the Wash - 1881  oil painting reproduction
Berthe Morisot Woman Hanging out the Wash - 1881 oil painting reproduction

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Berthe Morisot

(1840-1895)

American Impressionist portrait artist Berthe Morisot was born into a wealthy family and when she was growing up her parents encouraged her to take art lessons but didn’t want Morisot to be a professional artist. In 1864, she exhibited in the prestigious Salon de Paris, the annual exhibition of the Académie des Beaux-Arts in Paris. In 1877, Manet invited Morisot to exhibit in the first Salon des Refusés so she was part of the first exhibition where the group called themselves 'impressionists'. She participated in all of the Impressionist exhibitions except for the one in 1879 because of illness. Berthe Morisot’s paintings were often of people at home or outdoors. She was known for painting in loose, quick brush strokes. You can really see all the brushstrokes in her paintings as she didn’t make the surface smooth or flat. However, in the last years of her the rapid brushstrokes which had defined her practice for years became clearer, and her images came back into focus.
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