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Berthe Morisot Jeune Reveuse oil painting reproduction
Berthe Morisot Jeune Reveuse oil painting reproduction

Berthe Morisot Underwood in Autome oil painting reproduction
Berthe Morisot Underwood in Autome oil painting reproduction

Berthe Morisot A Corner of the Rose Garden - 1885 oil painting reproduction
Berthe Morisot A Corner of the Rose Garden - 1885 oil painting reproduction

Berthe Morisot A Young Girl with Cat - 1866 oil painting reproduction
Berthe Morisot A Young Girl with Cat - 1866 oil painting reproduction

Berthe Morisot After Luncheon - 1881  oil painting reproduction
Berthe Morisot After Luncheon - 1881 oil painting reproduction

Berthe Morisot At the Ball - 1875  oil painting reproduction
Berthe Morisot At the Ball - 1875 oil painting reproduction

Berthe Morisot Bather - 1891  oil painting reproduction
Berthe Morisot Bather - 1891 oil painting reproduction

Berthe Morisot Before the Mirror - 1891  oil painting reproduction
Berthe Morisot Before the Mirror - 1891 oil painting reproduction

Berthe Morisot Behind the Blinds - 1879 oil painting reproduction
Berthe Morisot Behind the Blinds - 1879 oil painting reproduction

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Berthe Morisot

(1840-1895)

American Impressionist portrait artist Berthe Morisot was born into a wealthy family and when she was growing up her parents encouraged her to take art lessons but didn’t want Morisot to be a professional artist. In 1864, she exhibited in the prestigious Salon de Paris, the annual exhibition of the Académie des Beaux-Arts in Paris. In 1877, Manet invited Morisot to exhibit in the first Salon des Refusés so she was part of the first exhibition where the group called themselves 'impressionists'. She participated in all of the Impressionist exhibitions except for the one in 1879 because of illness. Berthe Morisot’s paintings were often of people at home or outdoors. She was known for painting in loose, quick brush strokes. You can really see all the brushstrokes in her paintings as she didn’t make the surface smooth or flat. However, in the last years of her the rapid brushstrokes which had defined her practice for years became clearer, and her images came back into focus.
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