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Berthe Morisot Cottage Interior  oil painting reproduction
Berthe Morisot Cottage Interior oil painting reproduction

Berthe Morisot Daffodils - 1885 oil painting reproduction
Berthe Morisot Daffodils - 1885 oil painting reproduction

Berthe Morisot Dahlias - 1876  oil painting reproduction
Berthe Morisot Dahlias - 1876 oil painting reproduction

Berthe Morisot Daisies - 1885 oil painting reproduction
Berthe Morisot Daisies - 1885 oil painting reproduction

Berthe Morisot English Seascape - 1875  oil painting reproduction
Berthe Morisot English Seascape - 1875 oil painting reproduction

Berthe Morisot Farm in Normandy - 1859  oil painting reproduction
Berthe Morisot Farm in Normandy - 1859 oil painting reproduction

Berthe Morisot Girl in a Boat, with Geese - 1889  oil painting reproduction
Berthe Morisot Girl in a Boat, with Geese - 1889 oil painting reproduction

Berthe Morisot Girl in a Straw Hat - 1892  oil painting reproduction
Berthe Morisot Girl in a Straw Hat - 1892 oil painting reproduction

Berthe Morisot Girl Playing the Mandolin - 1890  oil painting reproduction
Berthe Morisot Girl Playing the Mandolin - 1890 oil painting reproduction

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Berthe Morisot

(1840-1895)

American Impressionist portrait artist Berthe Morisot was born into a wealthy family and when she was growing up her parents encouraged her to take art lessons but didn’t want Morisot to be a professional artist. In 1864, she exhibited in the prestigious Salon de Paris, the annual exhibition of the Académie des Beaux-Arts in Paris. In 1877, Manet invited Morisot to exhibit in the first Salon des Refusés so she was part of the first exhibition where the group called themselves 'impressionists'. She participated in all of the Impressionist exhibitions except for the one in 1879 because of illness. Berthe Morisot’s paintings were often of people at home or outdoors. She was known for painting in loose, quick brush strokes. You can really see all the brushstrokes in her paintings as she didn’t make the surface smooth or flat. However, in the last years of her the rapid brushstrokes which had defined her practice for years became clearer, and her images came back into focus.
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