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Camille Pissarro A Corner of the Meadow at Eragny, 1902 oil painting reproduction
Camille Pissarro A Corner of the Meadow at Eragny, 1902 oil painting reproduction

Camille Pissarro A Cowherd at Valhermeil, Auvers-sur-Oise, 1874 oil painting reproduction
Camille Pissarro A Cowherd at Valhermeil, Auvers-sur-Oise, 1874 oil painting reproduction

Camille Pissarro A Creek in Saint Thomas, Antilles, 1856 oil painting reproduction
Camille Pissarro A Creek in Saint Thomas, Antilles, 1856 oil painting reproduction

Camille Pissarro A Creek in St. Thomas (Virgin Islands), 1856 oil painting reproduction
Camille Pissarro A Creek in St. Thomas (Virgin Islands), 1856 oil painting reproduction

Camille Pissarro A Field in Varengeville, 1899 oil painting reproduction
Camille Pissarro A Field in Varengeville, 1899 oil painting reproduction

Camille Pissarro A Meadow in Eragny, 1889 oil painting reproduction
Camille Pissarro A Meadow in Eragny, 1889 oil painting reproduction

Camille Pissarro A Meadow in Moret, 1901 oil painting reproduction
Camille Pissarro A Meadow in Moret, 1901 oil painting reproduction

Camille Pissarro A Path in the Woods, Pontoise, 1879 oil painting reproduction
Camille Pissarro A Path in the Woods, Pontoise, 1879 oil painting reproduction

Camille Pissarro A Peasant in the Lane at the Hermitage, Pontoise, 1876 oil painting reproduction
Camille Pissarro A Peasant in the Lane at the Hermitage, Pontoise, 1876 oil painting reproduction

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Camille Pissarro

(1830-1903)

French Impressionist artist Camille Pissarro was a French impressionist painter, whose friendship and support provided encouragement for many younger painters. Camille Pissarro was born in Saint Thomas, Virgin Islands, and moved to Paris in 1855, where he studied with the French landscape painter Camille Corot. At first associated with the Barbizon school, Pissarro subsequently joined the impressionists and was represented in all their exhibitions. During the Franco-Prussian War (1870-1871), he lived in England and made a study of English art, particularly the landscapes of J. M. W. Turner. For a time in the 1880s Pissarro, discouraged with his work, experimented with pointillism; the new style, however, proved unpopular with collectors and dealers, and he returned to what he found to be a freer impressionist style. A painter of sunshine and the scintillating play of light, Pissarro produced many quiet rural landscapes and river scenes. Pissarro also painted street scenes in Paris, Le Havre, and London. An excellent teacher, he counted among his pupils and associates the French painters Paul Gauguin and Paul Cezanne, his son Lucien Pissarro, and the American impressionist Mary Cassatt.
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