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Gustave Caillebotte Willow on the Banks of the Seine  oil painting reproduction
Gustave Caillebotte Willow on the Banks of the Seine oil painting reproduction

Gustave Caillebotte Woman Seated on the Grass- 1874  oil painting reproduction
Gustave Caillebotte Woman Seated on the Grass- 1874 oil painting reproduction

Gustave Caillebotte Woman Seated under a Tree - 1874  oil painting reproduction
Gustave Caillebotte Woman Seated under a Tree - 1874 oil painting reproduction

Gustave Caillebotte Woman Sitting on a Red-Flowered Sofa- 1882  oil painting reproduction
Gustave Caillebotte Woman Sitting on a Red-Flowered Sofa- 1882 oil painting reproduction

Gustave Caillebotte Woman with a Rose (1884)  oil painting reproduction
Gustave Caillebotte Woman with a Rose (1884) oil painting reproduction

Gustave Caillebotte Yellow Roses in a Vase - 1882  oil painting reproduction
Gustave Caillebotte Yellow Roses in a Vase - 1882 oil painting reproduction

Gustave Caillebotte Yerres, Camille Daurelle under an Oak Tree - 1871 oil painting reproduction
Gustave Caillebotte Yerres, Camille Daurelle under an Oak Tree - 1871 oil painting reproduction

Gustave Caillebotte Yerres, Colonnade of the Casin - 1870  oil painting reproduction
Gustave Caillebotte Yerres, Colonnade of the Casin - 1870 oil painting reproduction

Gustave Caillebotte Yerres, Dark Bay Horse in the Stable - 1871 oil painting reproduction
Gustave Caillebotte Yerres, Dark Bay Horse in the Stable - 1871 oil painting reproduction

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Gustave Caillebotte

(1848-1894)

Gustave Caillebotte was a French painter and a generous patron of the Impressionists, whose own art works, until recently, were neglected. He was an engineer by profession, but also attended the Ecole des Beaux-Arts in Paris. He met Degas, Monet, and Renoir in 1874 and helped organize the first impressionist exhibition in Paris that same year. He participated in later shows and painted some 500 works in a more realistic style than that of his friends. Gustave Caillebotte's most intriguing oil paintings are those of the broad, new Parisian boulevards. The boulevards were painted from high vantage points and were populated with elegantly clad figures strolling with the expressionless intensity of somnambulists, as in Boulevard Vu d'en Haut (1880; private collection, Paris). Gustave Caillebotte's superb collection of impressionist paintings was left to the French government on his death. With considerable reluctance the government accepted part of the collection.
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