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Gustave Caillebotte The Walk at Argenteuil - 1883 oil painting reproduction
Gustave Caillebotte The Walk at Argenteuil - 1883 oil painting reproduction

Gustave Caillebotte The Wall of the Kitchen Garden, Yerres - 1875 - 1877 oil painting reproduction
Gustave Caillebotte The Wall of the Kitchen Garden, Yerres - 1875 - 1877 oil painting reproduction

Gustave Caillebotte The Yellow Boat - 1891 oil painting reproduction
Gustave Caillebotte The Yellow Boat - 1891 oil painting reproduction

Gustave Caillebotte The Yellow Fields at Gennevilliers - 1884 oil painting reproduction
Gustave Caillebotte The Yellow Fields at Gennevilliers - 1884 oil painting reproduction

Gustave Caillebotte The Yerres, Effect of Light oil painting reproduction
Gustave Caillebotte The Yerres, Effect of Light oil painting reproduction

Gustave Caillebotte Three Partridges on a Table - 1880  oil painting reproduction
Gustave Caillebotte Three Partridges on a Table - 1880 oil painting reproduction

Gustave Caillebotte Verger aux Pommiers en Fleurs, Colombes - 1883 oil painting reproduction
Gustave Caillebotte Verger aux Pommiers en Fleurs, Colombes - 1883 oil painting reproduction

Gustave Caillebotte View of the Sea at Trouville - 1888  oil painting reproduction
Gustave Caillebotte View of the Sea at Trouville - 1888 oil painting reproduction

Gustave Caillebotte View of the Sea from Villerville ) - 1882  oil painting reproduction
Gustave Caillebotte View of the Sea from Villerville ) - 1882 oil painting reproduction

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Gustave Caillebotte

(1848-1894)

Gustave Caillebotte was a French painter and a generous patron of the Impressionists, whose own art works, until recently, were neglected. He was an engineer by profession, but also attended the Ecole des Beaux-Arts in Paris. He met Degas, Monet, and Renoir in 1874 and helped organize the first impressionist exhibition in Paris that same year. He participated in later shows and painted some 500 works in a more realistic style than that of his friends. Gustave Caillebotte's most intriguing oil paintings are those of the broad, new Parisian boulevards. The boulevards were painted from high vantage points and were populated with elegantly clad figures strolling with the expressionless intensity of somnambulists, as in Boulevard Vu d'en Haut (1880; private collection, Paris). Gustave Caillebotte's superb collection of impressionist paintings was left to the French government on his death. With considerable reluctance the government accepted part of the collection.
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