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Gustave Caillebotte View of the Seine in the Direction of the Pont de Bezons - 1892  oil painting reproduction
Gustave Caillebotte View of the Seine in the Direction of the Pont de Bezons - 1892 oil painting reproduction

Gustave Caillebotte Villas at Trouville - 1884  oil painting reproduction
Gustave Caillebotte Villas at Trouville - 1884 oil painting reproduction

Gustave Caillebotte Villas at Trouville 2 - 1884  oil painting reproduction
Gustave Caillebotte Villas at Trouville 2 - 1884 oil painting reproduction

Gustave Caillebotte Villas at Trouville 3 - 1884  oil painting reproduction
Gustave Caillebotte Villas at Trouville 3 - 1884 oil painting reproduction

Gustave Caillebotte Villas at Trouville - 1888  oil painting reproduction
Gustave Caillebotte Villas at Trouville - 1888 oil painting reproduction

Gustave Caillebotte Villas at Villers-sur-Mer - 1880  oil painting reproduction
Gustave Caillebotte Villas at Villers-sur-Mer - 1880 oil painting reproduction

Gustave Caillebotte Willows by the Yerres - 1872  oil painting reproduction
Gustave Caillebotte Willows by the Yerres - 1872 oil painting reproduction

Gustave Caillebotte Winter Landscape - 1887 oil painting reproduction
Gustave Caillebotte Winter Landscape - 1887 oil painting reproduction

Gustave Caillebotte Woman at a Dressing Table - 1873  oil painting reproduction
Gustave Caillebotte Woman at a Dressing Table - 1873 oil painting reproduction

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Gustave Caillebotte

(1848-1894)

Gustave Caillebotte was a French painter and a generous patron of the Impressionists, whose own art works, until recently, were neglected. He was an engineer by profession, but also attended the Ecole des Beaux-Arts in Paris. He met Degas, Monet, and Renoir in 1874 and helped organize the first impressionist exhibition in Paris that same year. He participated in later shows and painted some 500 works in a more realistic style than that of his friends. Gustave Caillebotte's most intriguing oil paintings are those of the broad, new Parisian boulevards. The boulevards were painted from high vantage points and were populated with elegantly clad figures strolling with the expressionless intensity of somnambulists, as in Boulevard Vu d'en Haut (1880; private collection, Paris). Gustave Caillebotte's superb collection of impressionist paintings was left to the French government on his death. With considerable reluctance the government accepted part of the collection.
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