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John Everett Millais A Maid Offering a Basket of Fruit to a Cavalier, 1849 oil painting reproduction
John Everett Millais A Maid Offering a Basket of Fruit to a Cavalier, 1849 oil painting reproduction

John Everett Millais Autumn Leaves oil painting reproduction
John Everett Millais Autumn Leaves oil painting reproduction

John Everett Millais Caller Herrin', 1881 oil painting reproduction
John Everett Millais Caller Herrin', 1881 oil painting reproduction

John Everett Millais Charles I and his Son in the Studio of Van Dyck, 1849 oil painting reproduction
John Everett Millais Charles I and his Son in the Studio of Van Dyck, 1849 oil painting reproduction

John Everett Millais Mariana, 1851 oil painting reproduction
John Everett Millais Mariana, 1851 oil painting reproduction

John Everett Millais Message the Sea, 1859 oil painting reproduction
John Everett Millais Message the Sea, 1859 oil painting reproduction

John Everett Millais Moses, supported by Aaron and Hur, is praying for victory, 1871 oil painting reproduction
John Everett Millais Moses, supported by Aaron and Hur, is praying for victory, 1871 oil painting reproduction

John Everett Millais Portrait Of Gracia Lees, 1875 oil painting reproduction
John Everett Millais Portrait Of Gracia Lees, 1875 oil painting reproduction

John Everett Millais Portrait of Isabella Heugh, 1872 oil painting reproduction
John Everett Millais Portrait of Isabella Heugh, 1872 oil painting reproduction

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John Everett Millais

(1829-1896)

Victorian Pre-Raphaelite artist John Everett Millais was an English painter, born in Southampton, and educated in art at the Royal Academy of Arts in London. At the age of 17 he exhibited at the academy his Pizarro Seizing the Inca of Peru (1846, Victoria and Albert Museum, London), then considered one of the best history paintings shown that year. In 1848 he and two other English painters, Dante Gabriel Rossetti and William Holman Hunt, formed a brotherhood of artists known as the Pre-Raphaelites. John Everett Millais's first Pre-Raphaelite oil painting, the scene Lorenzo and Isabella (1849, Walker Art Gallery, Liverpool), recalls the manner of the early Flemish and Italian masters. Beginning in the early 1870s, Millais created many portraits of British personalities, famous in his time. He was a careful artist who paid strict attention to detail, unusual composition, and clarity. In much of his later work he succumbed to the Victorian taste for sentiment and anecdotal art.
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