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Odilon Redon The Crown oil painting reproduction
Odilon Redon The Crown oil painting reproduction

Odilon Redon The Crucifixion oil painting reproduction
Odilon Redon The Crucifixion oil painting reproduction

Odilon Redon The Cup of Genesis, 1894 oil painting reproduction
Odilon Redon The Cup of Genesis, 1894 oil painting reproduction

Odilon Redon The Cup of Mystery (Sibylle), 1890 oil painting reproduction
Odilon Redon The Cup of Mystery (Sibylle), 1890 oil painting reproduction

Odilon Redon The Cyclops, 1914 oil painting reproduction
Odilon Redon The Cyclops, 1914 oil painting reproduction

Odilon Redon The Departure, 1906 oil painting reproduction
Odilon Redon The Departure, 1906 oil painting reproduction

Odilon Redon The Druidess, 1893 oil painting reproduction
Odilon Redon The Druidess, 1893 oil painting reproduction

Odilon Redon The Flame (also known as Goddess of Fire), 1896 oil painting reproduction
Odilon Redon The Flame (also known as Goddess of Fire), 1896 oil painting reproduction

Odilon Redon The Golden Cell, 1892 oil painting reproduction
Odilon Redon The Golden Cell, 1892 oil painting reproduction

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Odilon Redon

(1840-1916)

Odilon Redon was a French painter and graphic artist, one of the outstanding figures of Symbolism. Redon had a retiring life, first in his native Bordeaux, then from 1870 in Paris, and until he was in his fifties he worked almost exclusively in black and white, in charcoal drawings and lithographs. In these he developed a highly distinctive repertoire of weird subjects (strange amoeboid creatures, insects, and plants with human heads and so on), influenced by the writings of Edgar Allen Poe. Odilon Redon remained virtually unknown to the public until the publication of J.K. Huysmans's celebrated novel A Rebours in 1884; the book's hero, a disenchanted aristocrat who lives in a private world of perverse delights, collects Redon's drawings, and with his mention in this classic expression of decadence, Redon too became associated with the movement.
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