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Odilon Redon Eve oil painting reproduction
Odilon Redon Eve oil painting reproduction

Odilon Redon Evocation (also known as Head of Christ (Inspiration from a Mosaic in Revenna) oil painting reproduction
Odilon Redon Evocation (also known as Head of Christ (Inspiration from a Mosaic in Revenna) oil painting reproduction

Odilon Redon Evocation (Woman at the Mountain) oil painting reproduction
Odilon Redon Evocation (Woman at the Mountain) oil painting reproduction

Odilon Redon Evocation of Butterflies, 1912 oil painting reproduction
Odilon Redon Evocation of Butterflies, 1912 oil painting reproduction

Odilon Redon Evocation of Roussel, 1912 oil painting reproduction
Odilon Redon Evocation of Roussel, 1912 oil painting reproduction

Odilon Redon Fallen Angel Looking at Cloud, 1875 oil painting reproduction
Odilon Redon Fallen Angel Looking at Cloud, 1875 oil painting reproduction

Odilon Redon Fantasy oil painting reproduction
Odilon Redon Fantasy oil painting reproduction

Odilon Redon Figure under a Blossoming Tree, 1904-05 oil painting reproduction
Odilon Redon Figure under a Blossoming Tree, 1904-05 oil painting reproduction

Odilon Redon Figure with Head, 1876 oil painting reproduction
Odilon Redon Figure with Head, 1876 oil painting reproduction

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Odilon Redon

(1840-1916)

Odilon Redon was a French painter and graphic artist, one of the outstanding figures of Symbolism. Redon had a retiring life, first in his native Bordeaux, then from 1870 in Paris, and until he was in his fifties he worked almost exclusively in black and white, in charcoal drawings and lithographs. In these he developed a highly distinctive repertoire of weird subjects (strange amoeboid creatures, insects, and plants with human heads and so on), influenced by the writings of Edgar Allen Poe. Odilon Redon remained virtually unknown to the public until the publication of J.K. Huysmans's celebrated novel A Rebours in 1884; the book's hero, a disenchanted aristocrat who lives in a private world of perverse delights, collects Redon's drawings, and with his mention in this classic expression of decadence, Redon too became associated with the movement.
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